Green Day Revives Punk Rock Music

Green Day is an American punk rock trio composed of Tre Cool on drums, Mike Dirnt on bass and Billie Joe Armstrong on lead vocals and guitars. They have backup members for guitars (Jason White), keyboards (Jason Freese) and trumpet (Ronnie Blake).

During the mid 90s, along with other Californian bands like Rancid and The Offspring, Green Day revived the popularity of the punk rock scene in the United States. The success of Green Day and other punk rock bands have influenced the new generation of punk rock bands like Good Charlotte and Sum41.

Having sold over 25 million records in the U.S. alone and over 65 million albums worldwide, Green Day is one of the most successful punk rock bands of all time.

Green Day have successfully won three Grammy Awards Best Rock Album for American Idiot, Best Alternative Album for Dookie and Record of the Year for the single Boulevard of Broken Dreams.

The story of Green Day started when childhood friends Mike Dirnt and Billy Joe Armstrong, which were both 14 years old in 1986, decided to form a 2 person band that they called Sweet Children.

Performing their first live act at the workplace of Armstrong`s mom, Sweet Children experience their first exposure as a band. In 1998, however, Al Sobrante joined the band as their drummer. The three piece band soon switched their band name to Green Day after a marijuana incident and played their first performance at Sobrante`s school in Contra Costa College, San Pablo, California.

When Larry Livermore of Lookout! Records saw Green Day performed, he offered the band a record deal and immediately released their first EP in 1989 called 1,000 Hours. The band recorded two other EPs known as Slappy and Sweet Children.

When Sobranted moved to California to attend college, Tre Cool became a temporary drummer for Green Day. However, when Sobrante couldn`t commit to the band any further, Tre became the permanent drummer for the band.

In early 1991, Green Day released their second album known as Kerplunk! under Lookout! Records, while featuring Tre Cool on drums. Green Day successfully performed plenty of live acts during 1992 and 1993 all throughout U.S. and Europe. The second album sold over fifty thousand albums in the U.S. alone and over two million records worldwide.

With the release of the successful Kerplunk! album, Green Day was a focus of major record labels and the band ultimately left Lookout Records. Although many fans regarded Green Day as a sell out, the trio had no choice but to move.

In 1994, Dookie became a major commercial hit, after recording it in a mere three weeks. Songs like basket case, when I come around and Longview all became #1 songs on different charts. Because of this massive popularity, Green Day was able to perform at Woodstock 1994 and Lollapalooza. The following year, Green Day was nominated for nine awards while winning the Best Alternative Album.

Green Day released a single entitled J.A.R. in 1995, which was soon followed by their third album Insomniac. The album comprised of a darker and more melodic style of songs like Walking Contradiction, Stuck With Me and Brain Stew/Jaded. After winning an MTV Video Music Award, Green Day took a break from producing music and performing concerts, claiming exhaustion.

In 1996, after their much criticized break, Green Day recorded and released their nimrod album. Major hit songs like Good Riddance (Time of Your Life), Redundant and Hitchin` a Ride were products of the band`s experimental style, far from their standard pop punk rock signature. The band again took two years off to spend time with their families.

When Green Day came back to the music scene in 2000, they released an album called Warning:, which reflects a more mature version of their music. However, the Warning: album only received gold, instead of double platinum labels like their past albums. Fortunately, Green Day won eight awards at the California Music Awards on 2001 for this album.

While Green Day was working on a new album, which was supposed to be entitled Cigarettes and Valentines, the master tapes of 20 complete tracks were stolen from their recording studio. In 2004, without trying to use their materials from the stolen album, Green Day released the 2004 American Idiot album, which instantly became #1 on different music charts.

All throughout 2005, Green Day did 150 shows promoting their album on a worldwide tour. To this day, Green Day remains a strong influence to modern punk rock bands.

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Josh Groban - Modern Classical Sensation

Josh Groban, an extremely popular Classical and Pop singer, has done amazing things with his music, being nominated for various awards and having his album "Josh Groban" go double platinum, which is quite a musical feat. Josh was born in 1981 and although he is only 26, he is already enjoying a very successful musical career. While many people are familiar with the enchanting music performed by Groban, there are many who are not familiar with some of the lesser known facts about this popular singer.

Early Debut
What many people do not know about Josh Groban is that he actually first debuted many years ago when he was only in the 7th grade. While he was already showing amazing vocal talent at this time, his grades began to slip and he went back to school full time to get his grades back to straight A's, which he feels helped to enhance his creativity and his entire musical career.

Under Foster's Wing
Josh Groban has excellent vocal and instrumental talents; however much of his success can be attributed to being taken under the wing of David Foster. Foster has won multiple Grammy Awards and has his own record label, which is called 143 Records. Foster loved Groban's pop sound but also loved the Classic's that Groban loves to sing. Foster produced Josh Groban's very first album, and was very instrumental in helping Groban's musical career take off.

Television Appearance
In 2001, the creator of Ally McBeal invited Josh Groban to appear on the season finale of the series and even created a character for him to play on the show. Not only did he appear in the show but he also performed the song, 'You're Still You,' which was a big hit. Groban was such a hit on the show that thousands of fans wrote to the show asking for Groban to appear again, so he appeared again in the next season's finale and performed the song, 'To Where You Are.'

Worldwide Appearances
Not only has Josh Groban become popular in the United States, but he has been able to perform and gain popularity around the world. In 2002, Groban sang at the Winter Olympics and performed the duet, 'The Prayer,' with Charlotte Church. Later he performed in Oslo, Norway at the Nobel Peace Prize Concert, singing both 'The Prayer' and 'To Where You Are.' That Christmas, he was in Venice, Italy and he performed at the Vatican with other musicians including Sting, The Corrs, and Lionel Richie.

To this point, the young singer, Josh Groban, has enjoyed an exciting and successful career in music, and his latest releases show that his career is far from over. Groban just released his third album in November of 2006 and he is now planning a world tour for the year 2007. With his excellent voice and the amazing choice of music, we are sure to hear more from this brilliant musician.

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Piano Lesson: Learn To Play Amazing Grace

Amazing Grace for piano is a popular song on the internet. In this piano lesson we will learn to play this song with melody and chords without the use of sheet music. We will start by finding the note C.

The note C on your piano is found on many places on the piano keyboard. C is always to the left of two black keys on the keyboard. Let's find the middle C on the piano.

The middle C is often called C4 as it is in the fourth octave of an ordinary upright piano or grand piano. It is sometimes called the keyhole C as it is at the same horizontal position as the keyhole on some pianos.

In this piano lesson we will call it C4 and the C to the left of this note we will call C3 and so on. We will now continue this piano lesson by learning the song Amazing Grace. Let's take a look at the lyrics to the first verse:

Amazing Grace, how sweet the sound
That saved a wretch like me
I once was lost, but now am found
Was blind, but now I see

We will play this song in the key of F-major. You don't need to know exactly what this mean but it still is in F-major anyway.

We will start with the first line:

Amazing Grace, how sweet the sound

Here is the notes to play to this line:

C4 F4 A4 F4 A4 G4 F4 D4 C4

In this piano lesson we will use a type of piano tab that doesn't indicate the length of the individual notes. You will probably figure out this by yourself as you know the melody!

I feel confident that you are able to do this!

Let's continue with the next line:

That saved a wretch like me

C4 F4 A4 F4 A4 G4 A4 C5

We will now take a break in this piano lesson and amuse ourselves with three piano chords that you can play with your left hand as you play the melody with your right hand.

The first piano chord is called F-major or just F and it is played with these notes in this song:

F: C3 F3 A3

The next chord is Bb-major. It is played with these notes:

Bb: D3 F3 Bb3

What is the note Bb3?

Well, the ordinary note B3 is immediately to the left of the note C4. Bb3 is the black key immediately to the left of the note B3. Okey?

The third and last chord we will use in this piano lesson is the chord C7. It is played in the following way:

C7: C3 E3 Bb3

If you want to use these chords in the song I recommend that you learn them by heart first. Now we will continue with the piano lesson.

I once was lost, but now am found

A4 C5 A4 F4 A4 G4 F4 D4 C4

We finish this part of the piano lesson by playing the last line of lyrics.

Was blind, but now I see

C4 F4 A4 F4 A4 G4 F4

Our piano lesson on Amazing Grace is completed as far as the piano melody is concerned but if you want to use your left hand to play the chords as you play the right hand melody you'll find the bonus text here:

I will notate the melody as I did before but at certain places among the notes I will place the piano chords you already have learned after a slash.

When you see a note with a slash and a piano chord after it you are supposed to play the note and the chord at the same time.

Here is the Amazing Grace melody with piano chords:

C4 F4/F A4 F4 A4 G4 F4/Bb D4 C4/F

C4 F4/F A4 F4 A4 G4 A4 C5/C7

A4 C5/F A4 F4 A4 G4 F4/Bb D4 C4/F

C4 F4/F A4 F4 A4/C7 G4 F4/F

That's it! I recommend learning the Amazing Grace melody with or without chords by heart. You will then have access to it whenever you will find a piano or keyboard to play.

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Piano Playing Secrets Of The Pros

It's no secret that professional piano players use techniques that amateur piano players don't. So what else is new? Professional golfers use techniques that amateur golfers don't use (at least not very well), and pro ball players use techniques that sandlot and weekend athletes don't use -- or again, not very well.

So it's not surprising that professional piano players have some tricks up their sleeves that the rest of us mortals don't have. But that doesn't mean we can't try to emulate the great pianists. We may not pull it off as well as them, but we sure can have a lot of fun trying, and who knows? Maybe a few of us can actually learn these techniques well enough to win some admiration from our friends, join a group, play for our own enjoyment, or whatever.

Here is a list of just a few of the technique the pros use when they play piano. There are more, of course, but this is a pretty good estimate of the most important skills:

Pro Secret 1: Straddles. Leaving one of more notes out of a chord to create an open feeling.

2: 2/1 & 3/1 Breakups. Breaking a chord up by playing part of the chord & then the rest of the chord.

3: Waterfall Chords. Broken chords cascading down from the top of the keyboard similar to a waterfall.

4: Tremolo-Fired Runs. Rapid-fire runs made of chords, but starting with a tremolo.

5: Half-Step Slides. Approaching the next chord from 1/2 step above or below.

6: Suspensions. Using the 4th as a "hangover" instead of the 3rd.

7: Chord Substitutions. Harmonizing songs using different chords than the traditional ones.

8: Voicing in 4ths. Stacking chords in intervals of 4ths instead of 3rds.

9: Turn-Arounds. A chord progression that turns you around, like a cul-de-sac.

10: Introductions. Creating a front door for the song.

11: Endings. Creating a back door for the song.

12: Transposing. Playing a song in a key different than it was written in.

13: Modulating. Getting from key to key smoothly.

14: Altering a Melody to Create a New Melody. Using neighboring tones to craft a new tune.

15: Inversions. Instead of always playing chords in root position, using a variety of "upside down" chords.

16: Creating Original Chord Progressions. Linking chords together creatively.

17: Echoes - Rhythmic, Melodic, Harmonic. The easiest way to begin the arranging process.

18: Touch. The difference between a sledge hammer and a pillow.

19: II7 to V7 Progression. One of the most common chord progressions.

20: Latin-American Rhythms. Using various rhythm patterns such as Samba, Bossa Nova, Cha Cha, etc.

There are other techniques the pros use, and new techniques are always being invented. But for a list of worthy goals for an aspiring piano player, this list will keep us busy for a long time.

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Guitar Chord Lesson: Learn To Play Nice Sounding Guitar Chords In D

A guitar is an amazing instrument. Sometimes hard to play but with easy nice sounding guitar chord secrets everywhere. Let's explore some easy but nice guitar chords.

Our first guitar chord will be Dmaj7. It is played in this way for example:

Dmaj: 0/4 2/3 2/2 2/1

An explanation of the notation. The first number indicates which fret to press down. The number after the slash which string. 2/3 means, press down the second fret on the third string.

If you lift up your fingers from this chord you will get a very easy guitar chord to play indeed! We can call it an Em7. It will look this way:

Em7: 0/4 0/3 0/2 0/1

This little chord progression makes a nice little intro to a song in D-major. If we write down a little guitar chord sequense it might look like this:

Dmaj7 / / / Em7 / / / Dmaj7 / / / Em7 / / /

We will now spice the second chord a bit by playing a Gm6. It looks like this:

Gm6: 0/4 3/3 3/2 0/1

We can use this guitar chord in an intro with the same function as the one above:

Dmaj7 / / / Gm6 / / / Dmaj7 / / / Gm6 / / /

Let's introduce a new guitar chord. We can call this chord D11:

D11: 0/4 5/3 5/2 5/1

As you maybe already have figured out you can slide the Dmaj7 chord up a few frets and you will get this chord. We will now create a progression with these three guitar chords:

Dmaj7 / / / D11 / / / Gm6 / / / Gm6 / / /

The next guitar chord is easy to play too. It is a G-minor chord. It is actually the same chord shape as the guitar chord Dmaj7 but on the third fret. It looks like this:

Gm: 0/0 3/3 3/2 3/1

Now we will create a guitar chord progression with these four chords together:

Dmaj7 / / / D11 / / / Gm / / / Gm6 / / /

The art of sliding chords to new frets is an exciting and easy way to find new guitar chords and sounds to use in your playing.

We will end this article on easy guitar chords in D by experimenting a bit with the D-major chord. Here is the most common D-major chord:

D: 0/4 2/3 3/2 2/1

By sliding this guitar chord up three frets up you will get the Dm7 chord or D-minor seventh. It looks like this:

Dm7: 0/4 5/3 6/2 5/1

Slide it up two frets from this position and you will get a G-major chord. It looks like this:

G: 0/4 7/3 8/2 7/1

The last guitar chord to explore will be A-major with D bass, notated A/D. Here it is:

A/D: 0/4 9/3 10/2 9/1

Let's make an impressive intro with these four chords but with the same chord shape by sliding the D-major chord up:

D / / / Dm7 / / / G / / / A/D / / /

The guitar really is an amazing instrument. Many more chords can be changed in similar ways to create new interesting sounds that will enrich your playing!

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Music Theory & Harmony: The Key To Understanding How Music Works!

It's a sad fact that most people, including piano players, regard music theory and harmony as some abstract concept that has very little to do with the songs they play on their pianos. Nothing could be further from the truth. Knowing music theory and harmony is the key to opening a whole new world of exciting insights into the songs we play, and enable us to do things on the piano we never dreamed we could do, to say nothing of enjoying the process a hundred times more.

What is music theory, and how can I benefit?

Here are just a few of the wonderful skills and insights a person benefits from by learning music theory:
How notation works -- a huge advantage in sight-reading.

The hierarchy of rhythm -- solving rhythm problems before they begin.

All kinds of scales -- the "ladders of notes" every song is composed of. Major scales, 3 types of minor scales, chromatic scales, whole tone scales, modal scales.

How transposition and modulation works -- playing songs in different keys, and getting from one key to another smoothly.

Complex time signatures, and what they tell you.

Perfect, major & minor intervals -- helps ear training greatly.

Two-part and four-part harmony.

Figured bass such as IV, V7, ii6, I6/4, etc. and how it relates to chord symbols such as Fm7, F6, Dmaj7, etc.

Harmonizing melodies with all these chords.

Open & close voicing, inversions, secondary chords, form, cadences, non-harmonic tones, arranging for voices, arranging for brass, arranging for strings, transposing instruments, key relationships and many other exciting insights into the inner workings of music!

But what is harmony?

Harmony is a sub-set of music theory. It is a series of notes in combination, played simultaneously. Listen to your favorite songs, and pay close attention to the back-up vocals when they're being sung along with the lead. Can you hear how the two vocal melodies differ in pitch? That's harmony, and it's highly possible that those back-up vocalists were chosen because of their strong ability to harmonize.

Singing a harmony, or rather picking one out on your own without written sheet music, is an almost inherent musical skill that many singers would die to possess. But harmony isn't just the province of singers; it's found in every single area of music. Any time a sound is layered on top of another sound and those sounds match each other in rhythm and melody (but not pitch), a harmony is created.

Harmony is made of intervals, and as such, it can be considered dissonant (scratchy, uncomfortable, like playing an E and an F at the same time) or consonant (pleasing or smooth). What makes a harmony pleasing or unpleasing, however, is extremely relative. In medieval times, only octaves and perfect fifths were considered harmonious, and any harmony that deviated from that was generally frowned upon. In modern western music, though, nearly everything is considered to be harmonious by someone. Fifths are still very popular in modern harmony but are now used in the most unlikely of places; heavy metal music, for example, frequently uses perfect fifths in the vocal harmony to create an eerie effect when layered on top of the more dissonant instrumentation.

Harmony, in addition to being consonant or dissonant, can also be subordinate or coordinate. Subordinate harmony, the tonal harmony used most frequently today, is a series of harmonies that are based on each other. The harmony moves in such a way that a resolution is somewhat predictable; you can hear this type of harmony in modern pop music, musical parts that flow very easily into each other and don't leave the listener baffled as to the turn the song has taken. On the other hand, coordinate harmony is a series of harmonies that operate independently of each other. They do have some common relation, of course, but don't typically move toward a goal, or predictable resolution. Renaissance musicians often used this type of harmony, and it's capable of producing rich and moving textures within a piece of music.

Learning music theory and harmony is not just an option you can take or leave: it is part and parcel of the "stuff of music". No surgeon would ever say "I don't want to learn all that stuff about the nervous system & the skeletal system and blood vessels and how the lungs and heart works and all that stuff -- I just want to operate".

And yet the majority of piano players ignore the very thing that would take them to the next level in their playing and knowledge -- music theory & harmony.

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Piano Books: The Top Piano Books To Help You Become a Better Piano Player

There are umpteen zillion piano books available in music stores and online at such places as Amazon. And piano books are usually necessary if your goal is to become a better pianist.

But how does a person know which piano books are necessary and which books are redundant, to say nothing of good or bad. There are books on music theory, scales, chords, books about composers, books about music in general, and of course piano lesson books by Schaum, Williams, Alfred d'Auberge, Bastien, John Thompson, Glover, etc., etc.

The best way is to divide the study of piano playing into it's components:

General lesson piano books:

While there are many, for the adult beginner I would select the series by Bastien titled "The Adult Beginner" It is excellent for adults, and includes quite a bit of music theory along with the piano lessons.

General books about music:

Far and away the most inspiring book about music in general is "The Joy of Music" by Leonard Bernstein. If you want to wrap your brain around music, this is the book for you. (Berstein, in case you don't know, was both a great conductor and a great composer, having written "West Side Story" and many others.)

Another great selection would be "What To Listen For In Music" by Aaron Copeland. (He was also a great composer.)

Technique books:

The best book I have found for developing finger dexterity and piano technique is a book that has been around for a hundred years or so, but is still the standard. It is "The Virtuoso Pianist in 60 Exercises - Complete: Piano Technique" by C. L. Hanon.

Music theory books:

There are many, most of which are complex and difficult to understand, but a good choice for a beginner would be "The Complete Idiot's Guide To Music Theory" by Michael Miller.

Books on piano chords:

In this category I'm going to have to cast all modesty aside and select my own book titled "Piano Chords & Chord Progressions: The Secret Backdoor To Exciting Piano Playing". It's thorough, cheap, and very easy to read and understand.

Song books:

In addition to books that teach all aspects of piano playing, you'll need several good songbooks so you can practice the things you are learning. The piano books you select are largely a matter of taste: if you love rock, you'll want to buy books of rock songs. If you love jazz, or gospel, or pop, or whatever, you'll want to get the song books appropriate to your likes and tastes.

But in addition to regular piano song books, be sure to also get a "fake book". A fake book is a book which contains the melody, the words, and the chord symbols for songs. Usually a fake book has a thousand or more songs in it, so it is a huge bargain.

When I was a teenager fake books were illegal, but they were sold under the counter to musicians all the time. I paid $50. for my first fake book (which I still have, incidentally) which contained only 200 songs. Fifty bucks back then is similar to the national debt now. But it was something working musicians had to have.

Now fake books contain thousands of songs and sell for much less -- often just $25. or so. So be sure to pick one up -- preferably several, as they come in all flavors -- jazz, folk, western, gospel, pop, and just about any other musical classification that you could think of.

All of these books can be obtained at your local music store or from online stores such as Amazon.

Then there is another totally different class of piano books that are part of an audio-visual course. Usually these books are supplementary to the DVD or CD (or both) which comprises the course. This type of piano books are new in the history of the world, because obviously DVD's and CD's haven't existed all that long. This type of course puts it all together, so in addition to reading a book, you can hear the instruction and see it being demonstrated on your own TV or computer screen.

But whatever books you select, the important thing is to just get started learning in all these areas of music.

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